A national program is helping chapters open headquarters using a participatory selection process. Twenty chapters in every region benefited, and the program will expand to a new round of grants.

The post Building the Party, One Office at a Time appeared first on Democratic Left.

The Queens assemblymember built a career on AIPAC support and silence on Gaza. Now, facing a Palestinian American DSA challenger, he’s perfected the political choreography of looking left while leaning right.

The post The Art of the Dodge: Steven Raga Perfects the Politics of “Progressive Except for Palestine” appeared first on Democratic Left.

by Jean Allen

Scratching At The Door Until It Opens And Running Outside And Rolling In The Grass is the first full length album of Rochester’s local folk supergroup, Georgie. Founded by Claire McClusky in 2022, the band consists of an activist and a group of musicians involved in other Rochesterian bands (the rock band Comfy, the acoustic folk Garden of Evil Doers and Bugcatcher, Rochester’s very own Pavement Kitchen, indie darling Shep Treasure, Star Bby which is definitely good but which I do not know enough about to know the genre of) and has become an organizing nucleus of Rochester’s DIY music community (which, I think, designates a punk sensibility applied to an aesthetically broad set of bands). Three elements of Georgie’s live shows bear stating. The first, in as segregated a city as Rochester is, as divided into micro-sub-communities as its music scene is, Georgie shows have been intentionally mutli-genre and multiracial. This has led to the second thing about Georgie, the increasingly large Georgieverse of collaborative bands and fans from various parts of Rochester’s radical community. The other is that the ‘folk’ label I gave Georgie obscures what’s fully going on here. 

Georgie’s live music has shown a consistent desire for experimentation, for pushing past the boundaries of some banjoes and fiddles into music that can emotionally meet the moment we are in. Songs that seem tame on the record become rock anthems in rooms filled with cheering fans, songs that are 5 minutes recorded can become 20 minute jam sessions, new instruments are added and experimented with, puppet shows are incorporated. This album is similarly expansive, with the production leaning towards an acoustic wall of sound at moments, while providing perfect clarity for the vocals at others.

McClusky writes Georgie lyrics through automatic writing, a method designed to avoid conscious intention, and that leads to songs that are deeply radical while being partially opaque. The choruses of Georgie songs are often a repeated simple phrase, like a thought the mind’s gotten hung up on and cannot fully process. For instance, “What’s Legal Now?”, the lyrics describe a person whose human ineffableness is reduced to nothing by the label of perpetrator, by people who look away from conflict or look to conflict in order to establish categories of human and non-human. The question “Did you know? I’m a crime? Did you know? How I died?”, ends with the band repeating “What does it mean to make a mistake” over and over, through into a next song that features a Silvia Federici sample, back to the chorus, back to the conclusion: 

“Teach shame. I hold it, I carry it every day, hold it inside my body, you know I don’t talk to nobody. But I left it on the table, where I couldn’t quite read your face. It’s not that I’m unable, I just choose to look the other way. Cause babe you make me wonder what it means to make a mistake, babe you make me wonder, why I can’t quite define rape”. 

This gets at, could be about, so many things. Interpersonal relations, international relations, the way our society treats homeless people to constant debasement to allow for their further dehumanization, the way we ourselves become smaller when we start accepting our society’s dehumanization of our peers. It could be about all of these things, and because of that it draws our attention to how all of these problems stem from the same issue.

The ineffable quality of Georgie’s lyrics are, to me, a tremendous advance over the tendency towards didacticism we’ve seen in radical music lately. There are any number of bands who speak-sing lyrics that could double as event slogans. As an example, take Mr.Dinkles’ newest song, Socialist Ditty, which repeats 

“You don’t need to be that rich, just give it to me, I can pay off my loans and my mouth to feed, cause you don’t even know what to do with it, just give it to me, cause you don’t need to be that rich!”

To be clear, this song is a bop and I’ve listened to it constantly since it’s come out. Further, from Joe Hill to Pete Seeger our movement is always going to need artists who provide us with agitation in the form of songs. But to give the humble opinion of a cultural dingdong, we should aim for higher horizons in radical art. The desire for art to act solely as agitation reduces art and reduces ourselves. We do not experience the world through the easy rationality that agitational didacticism cloaks itself with. I am a literal socialist pamphleteer and MY experience of life is not reducible to an aesthetic frustration with the way the rich dominate us. I’ll leave a pin in this, but I will say now that the problem of domination – of a ruling class which has infantilized us by disallowing us from making choices about the direction of our lives – has a blast radius. Domination transforms the dominator and dominated, dehumanizing both of us in ways that are often complicated and painful to fully uncurl. If radicals are going to make truthful art about our current condition they need to use the full range of emotion, the full spectrum of rhetorical affect. There is a desire right now for art or theory to be simple and surface-level, just expressing simple goals, but the world is not just a series of surfaces. Just as in this album, my brain repeats images I’ve seen, images or arguments that are incomprehensible or horrific, trying to understand them. I turn to theorists to structure my thinking of the world, I try to act in it. 

To listen to Scratching At The Door Until It Opens And Running Outside And Rolling In The Grass is to feel a sense of dread and a desire to understand that dread. The song where McClusky reads Bookchin talking about the intimidating and physically overwhelming structure of an institutionalized city turns to “Canyon”, a wail at a left that hasn’t gotten strong enough, hasn’t stayed principled enough, has given itself too easily to too many fights over nothing while the world burns up and bodies pile up: 

“I can’t take it anymore, I can’t look at us flailing on the floor, will you still love me when I kill our landlord? Won’t you be on the same side of the barricade? Won’t you help me pour sand in these machines? Let’s strike, the earth is still alive.” 

The failure of the radical left to intervene meaningfully in the last decade, despite the tremendous amount of work we have all done, despite a series of protest waves culminating in the largest protest wave the country has ever seen, coming to nothing, that’s not something people only process in a rational way. That a series of protest movements for Black lives has achieved nothing more than more cameras everywhere has given us all a new knowledge of the society we live in, a society where life is cheap and fights against each other are the only thing that will show meaningful change. This comes up in the conflicts shown in “What’s Legal Now?”, in the author’s desire to stop dreaming that “the world didn’t end” in “Lathe of Heaven”, and like everything else in the album it culminates in “Contamination”.

The swirling thoughts throughout the album all point towards “Contamination” – in “The Propaganda and the Pesticides”, Georgie sings the refrain which was once “Contamination”’s opening (you have to understand, I have to make my money, I have to be the man) while Shola raps about the wages we struggle for which make us enslaved. “Limits”, the first introduction to Canyon, quotes Bookchin describing the way the personal forces which dominate us are transformed by the cityscape into a seemingly impenetrable System of institutions. We see throughout the album the way our broken society makes broken individuals, and it can be easy to generalize this, to imagine we are totally dominated by faceless beings who we could never affect. But we know better.

“Call it what it is, it’s not a disease, it’s that motherfucker upstream, and I’ll find him and I’ll kill him. It’s your cigarettes and orange juice, cigarettes and orange juice, it’s your cigarettes and orange juice, that woman who takes care of you.”

Again we are transposed between all the situations this can refer to. There’s the case worker’s misogyny, where any failure in someone’s health has to emerge from someone incorrectly performing gender, but there’s also the truth at the heart of this whole album and this whole society – that our domination by institutions is also a domination by particular people, who are empowered to make choices about our lives and whether we die. Cigarettes and orange juice is a deeply evocative image. It’s two things associated with poverty and food deserts – cigarettes in lieu of a meaningful meal, orange juice in lieu of fresh fruit and vegetables; but there is also something childish about this deadly combination. Orange juice, the thing advertised to us from childhood, cigarettes, the addictive and deadly symbol of adulthood sold to generations which couldn’t afford it. Our society offers all sorts of addictions and brain-killing pastimes in lieu of active participation in its direction, and that domination has made us all childish, a toxic and addictive smallness in lieu of child-like-ness. We cannot afford financial independence, we cannot move our society the way we want, and so we are left with these adolescent pleasures instead of the responsibility an ‘adult’ who has to make decisions for themselves is given. The song’s end flips the script, imagining us killing the capitalists with the same empty and cheap luxuries they kill us with. The album ends with a gleefully childlike song about swimming, depicting perhaps the kind of relaxation and freedom we will only find when we understand that the best way to take care of our loved ones is to upend our masters.

What strikes me throughout the album is a sensitivity to pain, a sensitivity to the ways we are transformed by pain, and a genuine curiosity about the world. Earlier on I compared this album to a variety of (also good) agitational bands which traffic in cocky pamphleteer writing. The cockiness in left art today does not speak to me because it feels just as much like a product of our infantilization as these cigarettes and orange juice. It’s the attitude of a newly awakened youth who realizes that their adults do not follow the rules they lay down, who then thinks that there are no rules whatsoever, that it is all a matter of will. We have a world to govern, or perhaps win, or perhaps defend, or perhaps just survive in, but none of these are easy tasks. We will need people who have been made deeply imperfect by the cruel, violent, and colonial society we live in to succeed in any of those efforts. The attitude of humbly sorting through our existence, parsing through our personal experience and the theories we adore, trying to understand how to strike while the earth is still alive, is something I wish more of the left took up. 

Scratching At The Door Until It Opens And Running Outside And Rolling In the Grass is a genuine advance in radical DIY music and Georgie is the best band to come out of Rochester since Machine Girl left the city a decade ago. It is at times tough and at times torrential but I would recommend it, and Georgie’s live shows, to any reader of this publication with an appreciation for folk music.

The post Articulating Revolution Through Art: A Review of Georgie’s Scratching At The Door Until It Opens And Running Outside And Rolling In The Grass first appeared on Rochester Red Star.

This is an opinion piece written collaboratively by the Immigrant Solidarity Working Group and was not voted on at a general membership meeting. Opinion pieces from sub-bodies do not reflect the opinions of all members and are not chapter approved statements.

It is with no stutter and no hesitation that Salt Lake DSA stands with the 15 defendants facing charges for anti-ICE organizing in Minneapolis. Their stance is part of a proud, long-standing tradition of resistance against law enforcement overreach in this country. Faced with the indiscriminate violence of this winter’s ICE/DHS activity in the Twin Cities, these neighbors banded together in an inspiring and powerful model. After these feral agents murdered two and celebrated their own impunity, the regime attempts to contort law and morality to punish their real enemy: our unwillingness to submit.

There is risk in taking a principled stance. It is in that spirit that we also condemn the charges faced by two former court clerks in Logan that allegedly helped individuals evade ICE agents at the courthouse. When faced with an opportunity to perform the moral, righteous act, these clerks took it—at their own personal risk. They acted against a vindictive and thoughtless regime intent on tearing apart families, and for that we salute them.

It is not enough to point out the blatant hypocrisy of the Trump regime, as it is not only painfully obvious, it is expected and routine. They decry the “weaponization” of the law while also rewarding loyalist felons with pardons. The hypocrisy and double-dealing are markers of a system in a permanent tailspin. Trump and his cronies find themselves in the criminal trough of our economic system, resorting to merely demanding submission and collecting bribes. They are rapidly running out of distractions, and soon, the lid will tighten yet further.

As the administration criminalizes dissent in America, we implore all Utahns: do not consider yourself exempt from this assault on your civil liberties. Stand with us, or stand beside us, but at least stand up and be seen in opposition to this continued erosion of freedoms. In this capitalist system, law is merely a weapon in the hands of the powerful, completely divorced from morality and righteousness. As a weapon of the powerful, once you stand crosswise to their goals, the law will be used to hammer you back into place. It is time for us to seize the hammer.

We know we stand firmly on the right side of history, because between solidarity and hate, we will always choose the former.  In time, we will win; the only question is, for how long will we all need to suffer until we can put an end to this madness? How many of us will be caught up in the gears? When the working class has unified to fight this fight together, we will no longer have to wonder. We will have already won.

The post Solidarity is Not a Crime first appeared on Salt Lake DSA.

Adopted June 15, 2026

Eryka Caldwell, a waitress and event planner in Brooklyn, is the most recent murder in the continuing onslaught against the trans community. Eryka was caring friend and sister who always saw the good in people, and loved “everything sappy & mushy”.

Juniper Blessing, a graduate of the New Mexico School for the Arts in Santa Fe, was murdered the week before Eryka. Juniper was a remarkable person, a gifted vocalist and is described as truly loving weather, intending to study Atmospheric and Climate Science at the University of Washington, along with Music and Philosophy. Videos of Juniper’s remarkable vocal work have been shared widely to honor her.

Their murders are an immense loss for us all.

The murders of Eryka and Juniper are not one-off events. They are sparks from the wildfire of hatred towering over us all. Turning Point USA chose to cancel their event at the University of Washington scheduled to take place just days after Juniper was murdered. This event would feature Chloe Cole, a right-wing detransitioner who actively opposes access to gender-affirming care and whose work has been described as ” [a] political touchstone for conservative groups pushing against transgender rights…”. Events like these serve as a wellspring for hatred and dehumanization, which tour across the country propagating violence.

Rochester is no stranger to this violence: this time last year, we were still reeling from the murder of Sam Nordquist, one more life lost to what seems like an inescapable waterfall of anti-trans hostility. We’re continuing to see rampant violence against trans people across the country, in particular trans people fleeing red states to our cities where they hope to be safe. But it is only by recognizing our collective strength and organizing together that we can keep all of us safe in the face of increasing repression.

“Seattle must serve as a refuge for our trans neighbors who are fleeing regions trying to erase their existence, which is why today’s news is so devastating and horrific,” Seattle Councilmember Alexis Mercedes Rinck said in a statement on the murder of Juniper.

Until this murderous, genocidal intent is swept from our nation, we have a responsibility to organize and overturn the unjust systems that lead to this violence. There still exist threats to trans lives even in Seattle and Rochester which are both considered deep-blue cities. The entirety of New York State passed the Trans Safe Haven Act to protect gender affirming care and to protect trans lives. However, work continues at the federal level to strip away these protections. Work still continues to dehumanize trans lives and eradicate trans existence from our nation and from the world by any means available. That means we must continually work to uphold and protect trans lives, dignity, and freedom in the face of these attacks.

Trans people are simply trying to live their lives, gain acceptance and equal treatment. We must recognize in the trans experience a universal struggle against the patriarchal gender binary, and for human freedom. An attack on one of us is an attack on all of us. No one is free until all of us are free.

ROC DSA is organizing working class people to fight for trans liberation and freedom from capitalism. You can join ROC DSA by signing up at dsausa.us/join. A better world is possible, and together we can build it

The post ROC DSA Statement on the Murders of Eryka Caldwell and Juniper Blessing first appeared on Rochester Red Star.

The River Valley Democratic Socialists of America is opposed to the widely-reported rent control compromise legislation being considered by the Massachusetts legislature. Based on positive polling and the power of the tenants movement, we believe we will win rent control on the ballot in November. The compromise proposed by some rental control advocates would raise […]

by Gregory Lebens-Higgins

The rapid mechanization of the world has inspired a wealth of fiction with the theme of machines acting without human impulse and beyond human intention. These depictions speak to the real fears of workers confronting their displacement by machines in an unfamiliar world. With the advance of computational intelligence, the threat of sentient machines overtaking humanity is a common feature of movies, including The Terminator (1984), The Matrix (1999), I, Robot (2004),and most recently, Good Luck, Have Fun, Don’t Die (2025).

Does this fear have grounding in reality? Will sentient machines reprogram themselves without the knowledge of their human creators, pursuing tasks for their own ends and actively interfering in human affairs? Or perhaps decide to eliminate humans entirely? Maybe we should just start worshipping our future overlords now to avoid later retribution?

Like the AI of fiction, capitalism seems to self-replicate, expanding and recreating itself on a global scale and sucking all exchange into commodification. Capitalists are propelled by competition to reach new markets and cheaper inputs or be put out of business. In those regions not yet infected by capital, the tools of economic and physical violence do the work of displacing people from their land and creating a propertyless laboring class that must depend on the capitalist system to survive, by selling its labor and purchasing necessities from the market. The surplus value of these transactions accumulates to a wealthy ruling class, structuring class relations:

“Accumulation of wealth at one pole is, therefore, at the same time, accumulation of misery, agony of toil, slavery, ignorance, brutality, mental degradation, at the opposite pole.’ And to expect any other division of the products from the capitalistic mode of production is the same as expecting the electrodes of a battery not to decompose acidulated water, not to liberate oxygen at the positive, hydrogen at the negative pole, so long as they are connected with the battery,” comments Engels (quoting Marx).

Competition results in winners and losers. Resources and power are centralized in a shrinking ruling class, while precarity metastasizes among a surplus population. “Capital grows in one place to a huge mass in a single hand, because it has in another place been lost by many,” says Marx. Even before AI, the incentive to reduce costs meant the replacement of workers by machinery.

Unlike AI, it is clear that capitalism does not have a mind of its own. The individual decisions that maintain the system are made by humans. Capitalism is not a natural state of affairs, but an economic system established by businessmen and bankers to perpetuate their social status. Capitalism does not exist for its own ends, but to profit and empower these capitalists.Challenges to the system, whether from labor solidarity or corporate regulation, are fended off by capitalists protecting their class interests.

The threat of AI exists not in its self-replication, but from a ruling class empowered with tools to discipline labor and increase surveillance (alongside its environmental impact). Computer programs, like traditional machines, do not have independent motivation but serve the interests of their creators. It is not robots who desire to dominate humanity, but Silicon Valley CEOs.

These CEOs hype up the potential of AI in order to encourage investment. The myth of a coming “Artificial General Intelligence” acts in service of the latest tech bubble. Sci-fi scenarios of AI overtaking humanity reinforce these expectations. Meanwhile, the shift in focus to the machines themselves, rather than their capitalist creators, shields the relationship from class analysis.

Those involved in the Luddite movement (1811 – 1817) are often thought of as irrational actors fighting against the inevitable turn of history. Their tactic of machine-breaking is depicted as opposition to all technological advancement. In fact, direct action only followed the exhaustion of legal attempts at redress against their displacement by machinery. Their fight was not against machines, but for survival.

Our understanding of society’s relationship with machines necessitates a class analysis. Who does the machine benefit? Is it designed to meet actual human needs, or primarily to extract additional surplus value? How can the working class take ownership of machines to repurpose them toward the elimination of drudgery? The confrontation is not one of humanity vs. machines, but of class struggle.

The post On Self-Replication in AI and Capitalism first appeared on Rochester Red Star.

The Class podcast interviews an organizer on the importance of bringing a political vision to the pushback against AI data centers.

The post Portland DSA Organizes Against Data Centers appeared first on Democratic Left.

Ahead of Tuesday's elections Democratic Left has published interview with ten DSA candidates on the ballot in New York City.

The post Meet NYC DSA’s 2026 Slate appeared first on Democratic Left.

U.S. Rep. Adriano Espaillat has failed his district as his constituents are priced out. His opponent represents a real challenge to the displacement crisis.

The post Darializa Avila Chevalier Represents the Future of her District appeared first on Democratic Left.